Sandpainting is the art of pouring colored sands, powdered pigments from minerals or crystals, and pigments from other natural or synthetic sources onto a surface to make a painting. These are often temporary, ritual paintings prepared for religious or healing ceremonies. It is also referred to as drypainting.
Sandpainting is practiced by Native Americans in the Southwestern United States, by Tibetan monks, by Indians, by Australian Aborigines, and by Latin Americans on certain Christian holy days.
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Tibetan Buddhist sand paintings usually composed mandalas. In Tibetan, it is called dul-tson-kyil-khor (mandala of colored powders).
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The sand is carefully placed on a large, flat table. The construction process takes several days, and the mandala is destroyed shortly after its completion. This is done as a teaching tool and metaphor for the "impermanence" (Pali: anicca) of all contingent and compounded phenomena (Sanskrit: Pratītya-samutpāda).
The mandala sand-painting process begins with an opening ceremony, during which the lamas, or Tibetan priests, consecrate the site and call forth the forces of goodness. They chant, declare intention, mudra, asana, pranayama, do visualisations, play music, recite mantras, etc.
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